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The
Strokes
Room on Fire
label: RCA
released: 10.28.03
our score: 3.5 out of 5.0
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Being positioned
as a leader in your genre can definitely have both its positive
and negative aspects. On the positive side, the public listening
audience is going to look to you as the bar upon which other acts
of your ilk are measured. But on the negative side, being considered
the bar upon which others are measured means you have to set your
bar quite high - and continue to do so throughout your career
as you inevitably become compared to the bar you, yourself, set
years ago.
But another
negative aspect of being "the bar," especially in a
burgeoning genre that quickly evolves into one of the most popular
genres of your day, is the fact that the musical aspirations you
worked so hard for with your early work just may end up backfiring.
In the case of The Strokes, when their debut Is This It
hit mid-2001 they were one of the first major acts to embrace
the "the" mentality, namely the revival of 60's and
70's stripped down garage-style rock. And, as part of the definition
of this genre, it isn't really a popular style. Rather
it's meant to be what rock 'n' roll is at it's heart: raw, grungy,
sexy and gritty
In the time
since the release of Is This It (actually this ball started
rolling with their EPs), The Strokes went from modern rock underlings
to ballyhooed rock heroes to a band sometimes despised by rock
purists as image-heavy label pawns.
So this leaves
the Strokes at a difficult point. When your whole "schtick"
is doing that stripped down retro rock 'n' roll thing, but you're
latest album has sent you to nearly becoming pop stars, how do
you retain the same mentality while still being true to what you
really want to do. One option would be to expand your musical
artistic skills, possibly by employing one of the most sought-after
producers of recent time: Nigel Godrich (Radiohead, Travis, Beck).
Well The Strokes tried that, and quickly decided it didn't work
for them.
As a fall-back
plan The Strokes enlisted the help of producer Gordon Raphael,
the same man behind the controls of Is This It, for their
sophomore release Room on Fire. And the end result is
much what one would expect: another Strokes album. From the opening
lines of "What Ever Happened" it's obvious very little
has changed as far as musical approach here. Room on Fire
is very much a continuation of Is This It, albeit
a much more concise continuation. If you didn't like Is This
It you're not going to like Room on Fire, but if
you dug Is This It, you're likely to dig Room on
Fire quite a bit more.
The music
is still full of dirty little guitar riffs and solos and Julian
Casablancas' dirty little songs of sex and love that sound like
cheap beer and smoke. But the difference here, and what makes
Room on Fire so engaging is that The Strokes truly mesh
as a band now. Never has there been a dirty little rock record
that's as clean and concise, without a second of wasted space,
as Room on Fire. Sure, things tend to go a bit more of
the pop road than "New York City Cops" ever could have
let on - most notably the Ric Ocasek-inspired, hand-clap, new-wave
pop jam "12:51."
But what The
Strokes have obviously realised throughout all the touring, interviews
and recording is that it doesn't really matter where everyone
else places them in the big picture. What matters is
that they make their music, perfect it, and grow as they
see fit.
And since
Room on Fire is about as perfect as this reviewer could
imagine their current sound, let's hope next time around there's
a bit of evolution. But for now, I'm happy to toast my MGD to
Julian and the rest of The Strokes crew for a job well done.
03-Mar-2004
4:30PM

If you
liked Room on Fire...
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Tracklist:
1.
What Ever Happened?
2. Reptilia
3. Automatic Stop
4. 12:51
5. You Talk Way Too Much
6. Between Love & Hate
7. Meet Me In The Bathroom
8. Under Control
9. The Way It Is
10. The End Has No End
11. I Can't Win
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