the Sun Goes Down Vol. 3
That's Chicago's South Side
our score: 5.0 out of 5.0
Blues music helped to knit together African-American
culture for the millions who left the deep south and headed for
the industrial north; at least that's the claim made by the liner
notes here. The best evidence for this? The 25 songs on this CD.
From the "welcome to the city" blues of Sam Theard's
title track all the way through to Lonnie Johnson's "He's
a Jelly Roll Baker," this music rocks and rolls it Windy
City style for more than an hour and a quarter, and provides as
good a picture of the opportunity and excitement and dangers of
black Chicago in the 1930s and early 1940s as you're ever going
All but one of these tracks were recorded in Chicago
or Aurora (Joe Pullum's hilarious "Black Gal, What Makes
Your Head So Hard?" was taped in San Antonio), and they really
capture the bluster and toughness of that emerging culture. Check
out Pete Wheatstraw's theme song, "Peetie Wheatstraw,"
and learn where Robert Johnson got all his ideas: "And will
you please tell them that little Peetie Wheatstraw / Well now
he have been here and gone." Hear "Devil's Island Gin
Blues" to learn how Roosevelt Sykes and just about everyone
else felt about the repeal of Prohibition ("I been drunk
once tonight and I wanna get drunk again"). And check out
what is perhaps The Archetypal Blues Song, St. Louis Jimmy's "Going
Down Slow," which (as the notes point out) has been covered
by everyone from Ray Charles and Howlin' Wolf to, um, Huey Lewis.
This is old Chicago boiled down to three-minute segments, and
it's great stuff.
A lot of these songs go pretty damned deep into
the well of emotion. With recording technology as advanced as
it was, artists had more time to perfect their tunes, their lyrics,
and their vocal approaches, and this disc shows that off to glorious
effect. The well-known "Trouble in Mind" appears here
in its original version by Richard M. Jones, a man who has vanished
into music history—but the evidence is strong here that
he is one of the great underestimated blues singers of all time.
The way he nails his all-star line "And when you see me laughin',
baby / I'm-in-a keep from cryin' " is inspirational, full
of heart and guts and what was later known as soul. You won't
believe the way Merline Johnson (also known as "Yas Yas Girl")
attacks her lines on "He Roars Like a Lion," but with
lines like "He roars like a lion / And he hops like a kangaroo
/ And if I get that man back / I don't know what I'll do"
even I could do okay.
You also get some extra-creepy bonuses here. The
harmonica-fueled original take on "Good Morning School Girl"
shows Sonny Boy Williamson to be the clear leader in the category
of "Statutory Rapist Stalkers in Music History." We
get salacious versions of "Bucket's Got a Hole in It"
(references to prostitution on 31st Street) and "Selling
My Pork Chops" (well, just think about it: she's selling
her damned <I>pork chops</I>), and the aforementioned
"He's a Jelly Roll Baker" is just, y'know, sleazy and
funny and perfect.
most shocking track on any of these discs is contained here, too:
Tommy McClennan's "Bottle It Up and Go" is raucous and
sloppy and macho, and breaks into a suggestive scat break at the
end, but that's not what will drop your jaw. No, that will come
when you hear McClennan drop the N-bomb a couple of times. This
just sounds so wrong (and right in a certain super-guilty way)…but
it sounded wrong back in the 40s, too—McClennan was apparently
chased out of a window for this transgression. To me, the worse
offense is when he makes a plucked chicken sound sexually attractive.
Now that's nasty.
Oh, you need this disc to remind you how the blues
used to flirt with the boundaries while still remaining great
hummable pop music. I just wish that the actual Chicago Blues
Festival had anything like this instead of a tide of sweaty drunken
shirtless guys from the suburbs listening to other sweaty drunken
shirtless guys from the suburbs.
liked That's Chicago's South Side...
1. That's Chicago's
South Side - Sam Theard
2. Peetie Wheatstraw - Pete Wheatstraw
3. Devil's Island Gin Blues - Roosevelt Sykes
4. Black Gal What Makes Your Head So Hard? -
5. I Lost My Baby - Lil Johnson
6. I Lost My Baby - Lil Johnson
7. Keep Your Hands Off Her - Big Bill Broonzy
8. When the Sun Goes Down - Leroy Carr
9. Selling My Pork Chops - Minnie McCoy
10. Every Day I Have the Blues - Pine Top
11. Sweet Sixteen - Walter Davis
12. Honky Tonk Train Blues - Meade Lux Lewis
13. Trouble in Mind - Richard M. Jones
14. He Roars Like a Lion - Merline Johnson
15. Prowling Night Hawk - Robert Lee McCoy
16. Good Morning School Girl - Sonny Boy Williamson
17. You Got to Fix It - Speckled Red
18. Bucket's Got a Hole in It - Washboard Sam
19. Bottle It Up and Go - Tommy McClennan
20. Key To the Highway - Jazz Gillum
21. Don't You Lie to Me - Tampa Red
22. What Is That She Got - Johnny Temple
23. Going Down Slow - St. Louis Jimmy
24. Hobo Blues - Yank Rachel
25. He's a Jelly Roll Baker - Lonnie Johnson